Michael Shane Neal
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Face to Face with the Faculty
International Artist - February/March 2008
In the Spotlight
The Art of the Portrait - Fourth Quarter 2007
Through the Eyes of an Artist
Lipscomb University Magazine - Fall 2007
Byrd Portrait Unveiled
UNUM - Autumn 2007
Everything is Illuminated
The Artist's Magazine - October 2007
Youngsters Pay Tribute to Senate's Senior Member
Roll Call - September 26, 2007
Looking Back Across the Years
The Hill - September 26, 2007
The Artist Becoming
Brentwood Life - August 2007
Passing the Torch
The Artist's Magazine - June 2006
Commissioned Portraiture
Fine Art Connoisseur - May 2006
Studio Tour
The Artist's Magazine - March 2006
Workshop Review
American Artist Magazine - Winter 2005
The Perfect Palette
The Artist's Magazine - August 2005
The Portrait Society's 2004 Portrait Academies
The Art of the Portrait - 4th Quarter 2004
Art Schools, Awards & Exhibits
International Artist-February/March 2005
Art Support and Education
International Artist-December/January 2005
The Treasure Trove
Artist's Sketchbook-December 2004
Portrait of an Artist
The Tennessean-November 21, 2004
Workshop Review
Folio-Summer 2004
Contemporary Art in Boston
Art News-Summer 2004
Program Review
Folio - Summer 2004
My Favorite Brush
The Artist's Magazine-January 2004
On the Rise
The Artist's Magazine-January 2004
Brushing History on Canvas
Unum-Autumn 2004
Vandenberg and Wager Portraits Unveiled in "Senatorial Hall of Fame"
Unum-Autumn 2004
All in Your Head
The Artist's Magazine-April 2003
Sharing the Legacy
Folio-Fall 2002
Portrait Society of America Prizewinners Showcase
International Artist-August/September 2001
Portrait Painting - The First 10 Years
American Artist Magazine-April 2001
Portfolio Alternatives
The Artist's Magazine-April 2001
Paint for Yourself
The Art of the Portrait-4th Quarter 2001
Winner Spotlight
The Art of the Portrait-2nd Quarter 2001




 

IN THE SPOTLIGHT
The Art of the Portrait
Fourth Quarter 2007

 

 

 

"In the Spotlight"
By: Amanda Apostol

When Michael Shane Neal received the commission from the U.S. Senate Commission on Art to paint Senator Robert C. Byrd, he was presented with an interesting challenge: to depict the Senator 25 years younger when he was serving as Majority Leader. Much akin to a method actor, Neal completely immersed himself into the life of his subject, taking note of his voice, gestures, characteristic poses, and personality. A firm believer in homework, he read everything about the Senator he could find, watched hours of video, and even spoke with Senator Byrd’s staff members, friends, and granddaughter. Neal explains that his aim was to create something unique on the canvas that goes beyond the technical, something he can only accomplish by immersing himself into all aspects of his sitter.

After all of his research, Neal started to get a sense of Senator Byrd as a person and what motivates him as both an individual and a U.S. Senator. As work began on the portrait, it became evident that there was not merely one image from the past that could be immortalized in the portrait, so instead he had several sittings with Senator Byrd, used live models in the studio, referenced numerous photographs and utilized his imagination. Senator Byrd had requested that the three pillars of his life be represented in the portrait: the Bible, the Constitution, and his wife. The latter proved to be a unique artistic challenge, as the Senator wanted the posthumous image of his wife to be both clear and distinct, as well as important part of the painting’s composition.

According to Neal, he had some objectives of his own for the portrait. “When I first met Senator Byrd, I was struck by his posture; his strength, which is apparent even at the advanced age of 90; his formality; [and] his genuine interest in the process… I was interested in portraying a leader, one with an intense gaze, but a gentle spirit; a man who garners respect, but at the same time is respectful of others… a man who is not large in stature, but leaves you with the feeling that he is one of the tallest men in the room.”

Neal also found Senator Byrd to be a man rooted in history, with an oratory style, sense of formality, and manners that all hark back to a different era. In the portrait, the Old Senate chamber coupled with the historic lamps, provide a visual reference to this aspect of the Senator. Likewise, Neal feels the columns provide the pictures with “strength and dignity,” while the rug and curved desk give the viewer the sense of a specific place. The rings on the Senator’s fingers and the Senate lapel pin add a personal touch, as he is rarely seen without them.

It was most fitting that on September 25, 2007 the portrait of Senator Byrd was unveiled in the Old Senate Chamber. At the ceremony, several of Senator Byrd’s colleagues honored him with personal stories and highlighted his achievements. They all commented on his immense knowledge of the democratic process, his drive to defend the U.S. Constitution, and his reverence for the traditions of the Senate. When Senator Byrd’s great-grandchildren joined him fir the unveiling, the audience could quickly see that Neal had successfully captured his essence and spirit on the canvas, sharing with future generations of Americans a glimpse into this historic Senator.